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Women's History Month: Emily Davies (1830–1921)

Portrait of Emily Davies by Rudolf Lehmann, 1880 (archive reference: GCPH 5/4/2).

Caption: Portrait of Emily Davies by Rudolf Lehmann, 1880 (archive reference: GCPH 5/4/2).


To mark Women's History Month 2024, we present the life and work of Emily Davies, one of the Founders' of Girton College, including an account of her central role in establishing the College for Women and shaping the early years of the College.


An Exhibition of Emily Davies’ Life and Work

This exhibition was written for the College’s 2019 Commemoration of Benefactors by Hazel Mills, College Historian, and Hannah Westall, Archivist. The facts in this exhibition are correct to our best current knowledge at that time.

Emily Davies (1830–1921)

Sarah Emily Davies (always known as Emily) is often best remembered for her role in the foundation of ‘The College for Women, Hitchin’ in 1869, which was renamed Girton College in 1872. With Barbara Bodichon, she was certainly a leading figure in that campaign. However, this was neither the beginning nor the end of her pioneering contributions to the political, educational and social reform movements of her time. This exhibition illustrates aspects of Emily’s life and work, taking in her friendships and some of the campaigns in which she played a crucial role. These include the foundation of Girton and her long subsequent relationship with the College.

Emily was born in 1830 and spent her later childhood in Gateshead, near Newcastle. Like many middle-class young women of the time, she had a more limited education than her brothers, and was expected to be content with ‘home duties’ and family visits, at least until any marriage.  However, in part through a network of female friends in Gateshead and in London, Emily was introduced to ideas about improving the position of women in society and to political campaigning on behalf of girls and women. She became associated with the women of the Langham Place Group and with the English Woman’s Journal, published from 1858 to 1864.

After her father's death, Emily and her mother moved to London in 1862. This enabled Emily to play a more active role in the women’s movement. She became very involved in campaigns to improve women’s education, including to open University of London degrees to women, to admit girls to the Cambridge University Local Examinations, and for the inclusion of girls’ schools in the Schools Inquiry Commission of 1864–1868. These campaigns led to other activities. She was a founding member of the Kensington Society; founded the London Association of Schoolmistresses; and in the early 1870s became one of the first women elected to the London School Board. In the mid-1860s she was also active in the campaign for women’s suffrage. 

Although several of her early successes were in securing improvements in girls’ secondary education, as the 1860s progressed Emily Davies’ primary focus became the provision of higher education for women. Her vision, and hard work campaigning to establish what was to become Girton College, helped provide the first opportunity in Britain for women to receive a university education on exactly the same terms as men. 

After her retirement from Girton in 1904, Emily resumed a more active involvement in the suffrage movement. Throughout her life she was a highly-organised and vigorous committee woman, imbued with a strong work ethic and a will of iron. She published extensively on educational and suffrage issues and was, for periods, editor of the English Woman's Journal and of the Victoria Magazine.

Portrait of Emily Davies in 1851 (aged 21) by Annabella Mason. Annabella and Hannah Mason were family friends and frequent visitors to the Davies home in Gateshead. Emily Davies noted that Annabella, ‘used to take likenesses, and our albums contained sketches of Jane, William and myself.’ (archive reference: GCPH 5/4/8).

Caption: Portrait of Emily Davies in 1851 (aged 21) by Annabella Mason. Annabella and Hannah Mason were family friends and frequent visitors to the Davies home in Gateshead. Emily Davies noted that Annabella, ‘used to take likenesses, and our albums contained sketches of Jane, William and myself.’ (archive reference: GCPH 5/4/8).


Childhood and young adulthood

Emily Davies was born in 1830 in Southampton. Her father, Anglican clergyman John Davies, was born in Llandewi Brefy in Cardiganshire. His father was a Welsh farmer. John Davies obtained a B.D. from Queen’s College, Cambridge, and wrote several works of theology. 

Soon after her birth, Emily’s family moved back to Chichester, where her parents had previously lived. In 1840, when Emily was nine years old, they moved to Gateshead, near Newcastle, where, through the patronage of a former Bishop of Chichester, John Davies had been offered the Anglican living. Gateshead would remain Emily’s home until 1862 when, following the death of her father, she and her mother moved to 17, Cunningham Square, London, to be close to her older brother, John Llewelyn Davies. 

In Chichester, Emily had learnt ‘a little Latin’ for her own pleasure, and because her brothers were doing it, but this stopped before the family moved north. In Gateshead, Emily’s three brothers were first taught in a small class taken by one of their father’s curates. Then John Llewelyn and William were sent to Repton School, before attending Cambridge University. The youngest son, Henry, went to Rugby School and was then articled to a solicitor. In contrast, Emily and her sister Jane remained in Gateshead. For a few months they attended a small day school for girls but after that their education was based at home. They had ‘some lessons’ in French and Italian and were also taught some music. ‘Our education,’ Emily would later recall, ‘answered to the description of that of clergymen’s daughters generally … “Do they go to school? No. Do they have governesses at home? No. They have lessons and get on as they can”’. 

In Gateshead Emily used to write ‘themes’ – small, weekly compositions in English which were looked over by her father. With one of her brothers, she also wrote little ‘newspapers’, which many years later she described as consisting chiefly of short ‘denunciations and warnings against Popery and Tractarianism’ written in English, French, Italian, German and Latin. They were modelled, she said, on the Evangelical paper The Record, which reflected the family’s ‘sentiments’ at the time. The children also played at being candidates for parliamentary elections.

Alongside any studies, Emily and Jane were expected to help their mother in the house. ‘Our muslins, collars and cuffs etc, were washed at home and my mother, Jane and I did the ironing about once a month in a storeroom in the basement’, she recalled. ‘We did mending also, but not much of dressmaking or millinery’. Religion was an important part of daily life; the family gathered for prayers each evening. 

Handcoloured woodblock engraving from the Illustrated London News, 14 October 1854, showing the devastating fire in Newcastle and Gateshead. Emily would have witnessed the destruction and havoc caused by this tragic event, which killed 53 people

Caption: Handcoloured woodblock engraving from the Illustrated London News, 14 October 1854, showing the devastating fire in Newcastle and Gateshead. Emily would have witnessed the destruction and havoc caused by this tragic event, which killed 53 people (reference: WikiCommons)


View the full tribute online, which includes:

  • Significant friendships
  • London University degrees for women 1862
  • Admission of girls to University Local Examinations 1862-1865
  • School Inquiry Commission 1864-1868
  • Kensington Society 1865-1868
  • Women's suffrage, 1866 and later
  • London School Board 1870-1873
  • The founding of Girton College
  • The 'Originator' or the 'Founder' of Girton College
  • Emily's resignation
  • The Emily Davies Jubilee Fund
  • Girton records the death of Emily Davies
Photograph of Emily Davies by an unknown photographer, circa 1915 (archive reference: GCPH 5/4/7).

Caption: Photograph of Emily Davies by an unknown photographer, circa 1915 (archive reference: GCPH 5/4/7).


This exhibition draws from many printed and manuscript sources, including: